Horrockses and Margaret Meades

A few weeks ago I received a rather exciting email regarding Horrockses, and I suppose this blog posts as both a plea for anyone who owns/ has owned certain dresses and also providing some more information on the brand.

Horrockses during the 40s and 50s employed a large number of different designers to create their printed textiles, some such as Eduardo Paolozzi created only a few desings, whilst others, such as Pat Albeck and Graham Sutherland created huge numbers of designs for the company. Some designers, Albeck is a great example, have a very distinctive illustrative style which can be quickly recognised. Although others output and style was more varied. I know that some of the print designers worked on commissions for the fashion designers at the company (a lobster print created for John Tullis by Pat Albeck is a particular favourite of mine).

A typically Albeck design.

Although I have come across a large number of print designers for Horrockses  a chance search on twitter a few weeks ago turned up researchers gold.

One of the most special Horrockses I have is one printed with “Elizabeth Regina 1953”. Tht tweet related to this very print. The print was designed by Margaret Meades who worked freelance for Horrockses. Her designs weere mostly used in the early years of Horrockses fashions (late forties early fifties). 

Margaret trained at  Manchester College of Art where on graduating she continued to lecture for many years. Margaret was also a member of the Society of Industrial Artists.




Here are a few more of Margaret’s designs which were kindly sent to me by her daughter. It would be great if anyone has the original dresses, so that they can be compared to her designs.

The print above has to be my favourite by Meades, and is also very familiar, I feel sure I have seen this one before!


If you would like to find out more about Margaret Meades do visit the website

http://highlandpaintingandprints.co.uk/index.html

Also! If you have orignal dresses that feature any of the prints i have shown please do send me pics.

liztregenza@hotmail.com

A quick note: All of these designs were sold to Horrockses, but they were not necessarily produced. As I explained in my post for Unmaking things Horrockses always overpurchased on textile designs to retain their design prestige.

You can read my post on Horrockses and marketing here

Get yourself some winter vintage

BRRRRRR. It’s cold outside, isn’t it?

Not to fear I have one final week of lovely winter listings so that you can wrap up warm.

See all the listings here

First off two fabulous swing coats

Check Aquascutum coat

Green Harella coat

Or, how about a nice wintry pencil skirt?

50s check skirt

I also have lots of jumpers and cardi’s to fend off the cold

Cashmere 50s cardigan

70s deadstock pink jumper

or how about a nice winter suitable dress?

40s red check dress

50s wool skater dress

60s grey wiggle dress

70s pinafore suit

See all the listings here

Weekend outfit post

Outfit post time.

Just thought i would share the dress I wore on Saturday night. I’ve had this lovely silk late 50s number for around a year. Although, I had never worn it as it was in desperate need of a dry clean. I wish I had taken a pic of it before, because mt dry cleaner did such an amazing job on it. It is amazing how much more vibrant the colour contrast is on this dress now it has had a good dry clean.
My dry cleaner is really wonderful, and is always ever so good with vintage. If you are around my area (Sutton/ Cheam) I would highly recommend. It is Antonique in Grove Road, every time I go in there I am amazed with the care they have taken over my vintage pieces- especially seeing the horror stories I have heard from others.
So, back to my dress. This is a London town dress. I have  a few dresses by this brand who seem to have produced very high quality evening dresses in the late 50s and early 60s.
I’m wearing my dress with a pair of L K Bennett shoes that were reduced down in the sale to £75 a while back.
With my lovely friend Holly
Dancing the night away.
Final three photographs all courtesy of Hanson Leatherby