Nina Leen

I absolutely adore a good bit of vintage photography, and I am a massive Beatonophile (yep, I’m really that obsessed with Sir Cecil that I have a word for it : )) So imagine my glee today when I came across a midcentury photographer whom I had never come across before.
Today I introduce you to Nina Leen. Leen was a Russian born photographer who primarily worked for Life magazine in America. She was very well known for her animal photography but I’m most interested in her fashion shoots.  She started working for Life in 1945 producing over 40 covers for the magazine and countless other stunning shoots too! I love the way in which Leen organises her compositions very artfully done with a hint of quirkiness for good measure.

                           
                                 Look at these for novelty print circle skirts. Sigh. Want them all!

This beautiful lady comes from 1953. I adore her hat. 

Another dreamy dress from 1949
Candid shot of a home ec class possibly?

Pretty vintage dresses

I’m a bit quiet on le blog front at the moment as I’m working full time (loving life!). Just thought I would share a few outfits of late in the meantime : )

Loveeee this dress. I purchased this last Saturday from Hope and Harlequin in Brighton. The shop that got me into buying vintage in a BIG way. I wore this for the NSC christmas party. I had originally intended to wear a delightful pink sparkly number but due to a hideous knee injury i had to purchase something new to cover it up!

This delightful dress is a 30s heavy velvet example which i believe was probably altered in the 40s to give it a new life (I’m guessing a resourceful wartime alteration) I reckon it was probably originally full length and that the only fastening was the rouleau loop buttons. It now has a side zip and is much shorter than it would have been originally but that made it just right for me! A perfect seasonal little number : )

This dress was worn for a simple outing to the pub. It has pretty much become my failsafe winter dress as i seem to be incapable of buying any winter clothes. It is quite a heavy blended fabric, i think it has moygashel in it. It is “An original by Marie Phillips”. I bought this dress over three years ago now and I must have worn it at least 20 times. It is a perfect berry like colour pallete. When i bought it I was told it was 1940s, and this I’d always believed until i started to think more carefully about how it buttons at the neckline. Increasingly i’m now thinking its a 50s number. No doubt it is a beauty though.

A mini rant on charity shop pricing

So over in a little place I like to call “vintage land” on facebook we have been discussing our anger at the overpriced nature of charity shops. Now, don’t get me wrong I am no kind of charity scrooge who hates giving money to charity, No, no. Infact I really LIKE buying from charity shops because It makes me feel a little less guilty about the insane amount of money I spend on clothes ( I’m one of these crazy people who will often go without buying food to buy more clothes and live off a diet consisting of only food my parents have bought me when they feel sorry for me or biscuits cos I love a good biscuit).
My problem all stems from the fact that a charity shop by the nature of what it is should be about providing reasonably priced clothing for those who need it.
Madeline Ginsburg wrote a wonderful article for costume in 1980 when charity shops were still in their infancy which succinctly explains this. (The article is a very interesting piece about the second hand trade as a whole, but I’ve just picked out this section for your reading pleasure)
“The popularity and upgrading of the jumble sale has led to another new development the Nearly New or Charity Shop, now an important source of income for almost every welfare organization, though the form in which the accounts are published makes it impossible to isolate the profits of the clothing part of their stock. Usually housed in rent-free centrally placed but temporarily unlet properties, they have a pleasant atmosphere, encouraging to the needy and no deterrent to the merely curious. The stock is given, the staff voluntary and the overheads low. Choice is easy and the prices midway between jumble and the trade.”
I’ve picked out two key statements:
They have a pleasant atmosphere, encouraging to the needy
ENCOURAGING TO THE NEEDY. This is what charity shops should be about. It is not about creating another high street boutique, it is not about isolating people. It should be about availability. Allowing people the opportunities for good quality clothing at low prices!
Prices midway between jumble and the trade.
Can’t we go back to this???
Many charity shops are so much more expensive than trade prices it is ridiculous. £89 for an Aquascutum coat in Winchester. £55 for a Per una jacket in Cheam. £40 for a Next jacket in York. It really is getting out of hand.
One of the joys of going into charity shops used to be the opportunity to find a bargain. Now going into a charity shop often leaves me feeling distinctly sad. I feel like charity shops have changed so much in their meaning. The fuddy duddy nature of the charity shop was one of the things that made them great, and Mary Portas trying to make every charity shop hip and trendy has actually destroyed a lot of what made going to charity hops an altogether fun experience.
So that is my two cents worth on it all!


My info comes from Madeleine Ginsburg, “Rags to Riches: The Second-Hand Clothes Trade 1700-1978,” Costume 14 (1980